fourth dimension

英 [fɔːθ daɪˈmenʃn]

美 [fɔːrθ daɪˈmenʃn]

n.  第四维(科学家和科幻小说作家用语，即时间); 非常人的体验

牛津词典

noun

• 第四维（科学家和科幻小说作家用语，即时间）
  (used by scientists and writers of science fiction ) time
• 非常人的体验
  an experience that is outside normal human experience

柯林斯词典

• 第四维(物理学上指时间，其他三维存在于空间，即长度、宽度和高度)
  In physics,the fourth dimensionis time. The other three dimensions, which exist in space, are length, width, and height.

英英释义

noun

• the fourth coordinate that is required (along with three spatial dimensions) to specify a physical event
  Synonym:time

双语例句

• In order to enter the fourth dimension of thought-form, one must be70% light and30% density or dark.
  为了进入到第四维度的思想形态，你必须有70%光明和30%的致密或说黑暗。
• For most humans, taking the form from cancer to ascension to the fourth or fifth dimension will not be possible.
  对大多数人类而言，将身体直接从癌症提升到第四或第五维度，将是不可能的。
• The Fourth Dimension of Time is a stable construct, though it is not impenetrable.
  时间的第四维度十分稳定，但是它是可以穿过的。
• The fourth dimension is time.
  第四维是时间。
• The main content in the first to the fourth chapter is focused on the critical study on the dimension of philosophy of art of Western modern hermeneutics.
  第一章对作为现代诠释学哲学前史的古代诠释学及近代诠释学与艺术之间的关联进行简单的历史回顾。
• To represent time factor explicitly as fourth dimension and satisfy 4D and real-time requirements, Based on the fundamental part, a Fuzzy-Timing Petri Nets formal modeling technique was employed to expand the fundamental part to describe dynamic state transition of all essential.
  以基准要素模型为扩展基础，为了显式地将时间因素作为第四维度，并满足四维和实时的需求，采用模糊时延Petri网技术对CVE各要素的动态状态变迁进行了良好的描述。
• A ghost is living on the fourth dimension ( soul world), so his spirit guide will be located in the sixth dimension ( mental plane).
  一个鬼魂生活在第四次元（非物质界），所以他的指导灵也许位于第六次元（精神面）。
• These few humans then went on to ascend to the fourth dimension within the aurora where their descendants live unto this day.
  这些少数人随后继续提升到极光中的第四密度，在那里，他们的后代一直生活到今天。
• Just as he progressed from producing works on canvas to include the third and fourth dimension, he has also come to reconsider the role his own presence should play in the work.
  正如他从在画布上创作作品发展到将三维和四维空间包容进来，他也反思了自己在作品中应该扮演的角色。
• As this occurs, the music in our fields goes from off key or sour to harmonious, and we ascend to the next level of threshold upward in vibration towards the fourth dimension.
  当此发生时，我们场中的音乐从酸楚变得和谐，而我们则提升到下一水平振动的起点直至第四密度。